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Bess’s coming launched the procession. People in the vicinity who had not before known of the presence of a circus, knew it now. Everybody talked at once, and every living thing made its own kind of a noise. Billy as Master of Ceremonies had his hands full, his voice full too, one might say. “Light the stove, Mose, an’ git the house het up. Mis’ Williams must of been froze to a cinder yesterday when she was here. That stove did nothin’ but smoke till our eyes leaked. I expected every minute to see her turn into an iced berg. Do you know, Ebenezer, Mis’ Williams told me that Mrs. Frame’s sister married the oldest son of Mr. Frame an’ his first wife.” The audience made an impetuous dash to the scene of the fatality and as he stooped over the dripping yellow-frocked figure a jolt of even greater proportions upset the bucket entirely; a deluge of the unsavory mixture almost knocked off his knightly helmet and trickled from its rusty edges till he looked like a very rotund and rakish Don Quixote. Zalhambra was a vaudeville artist. His was the star act on each bill. He was undeniably a genius; it needed but a few bars of fortissimo plus crescendo to realize that he was a virtuoso of the first rank. When he played a Rag the audience shouted with delight; but when he sprinkled torrential cadenzas through the dizzying syncopation, like some mighty giant tossing meteors into a handful of fire-crackers, something like an electric shock stirred his hearers..